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Last Updated: Dec 28th, 2006 |
Earlier this year, a group of Black lesbian and gay
bloggers got together to create awareness around the homophobic and anti-gay
lyrics found in dancehall reggae.
Realizing that reggae wasn't as entrenched in American pop culture the
way that hip-hop and misogynistic lyrics are, we embarked on a very deliberate
campaign aimed at reggae artists like Buju Banton and Bennie Man, who had
recorded songs calling for the murder of lesbians and
gays.
Admittedly, it was never our goal to have their
concerts cancelled. In fact, we asked that the artists be replaced with
friendlier performers, preferably artists that had never called for the murder
of lesbians and gays through their lyrics or that these artists publicly
separate themselves from their previous song lyrics. If all else failed, we asked various
club venues to rescind their invitation to perform.
Following the launched protest, in an interview with
Billboard.com Buju Banton said that he has two words for the gays, "F***
them." He then goes on to say that,
"I have never bashed any gays before, and if I bashed gays, I bashed them 16
years ago. There's no tolerance from [the gay community]. I'm not a gay-basher.
I'm not a homophobe."
So which is it? You never bashed gays, or you
did it 16 years ago?
I'm confused.
Speaking from his tour bus, Banton was defiant,
insisting that despite his acquittal, gay rights groups refuse to let him move
on with his life. In most cities, he says, there are no protests. The media, he
insists, is making too much out of a handful of protestors'
actions.
Buju Banton's spokeswoman said, "Buju Banton is being
unfairly savaged for lyrical statements made years ago and long before he
stepped up to his current role as a humanistic artist."
Unfairly savaged, no, being held accountable,
yes.
And incidentally, I dropped into a music store in
Hollywood during all of this and while I was perusing the reggae section, I came
across several used copies of Buju Banton's "The Early Years" album which has
the song "Boom Bye Bye" on it. So it may have been recorded a long time
ago, but it still lives on in many record stores around the
nation.
To add injury to insult, Buju Banton's management
released a statement that Banton was no longer performing the controversial
"Boom Bye Bye" in the United States.
However, that defense was quickly shattered when video footage of a
concert this year in Miami quickly surfaced of the reggae artist leading a sing
along to the very song in question.
The response from Banton's management, "It was a song
fragment that was followed by a free-style commentary on Banton's public life as
protest target."
So let me get this clear. In order to talk
about his life as the subject of numerous international protests, he has to
actually lead a sing along of the offensive lyrics that started the protests in
the beginning.
So does that mean that Virginian Senator George
Allen, who is under fire for his alleged use of the "N" word, should actually
say the slur every time he tries to defend himself?
How well do you think that would go over with Blacks
here in America?
Buju Banton and other homophobic reggae artists are
not the victims. No, that title goes to Brian Williamson, the
Jamaican gay rights activist that was chopped into pieces with a machete for
being gay. And it goes to Steve Harvey who was murdered in 2005 in
Jamaica also for being gay. Victim is also the title used to describe
20-year-old Candice Williams and Phoebe Myrie, 22, who were found dumped in a
pit with a burnt mattress and lesbian DVDs this year, allegedly for being
lesbian.
What this is, is a community holding accountable
artists who influence society through their music.
In all of the years that Buju Banton, Bennie Man, and
other popular reggae artists have been protested for their anti-gay lyrics, they
have never themselves apologized publicly.
It has been through a spokesperson or a released statement. My guess is that they are not sorry for
their lyrics which is a direct reflection of the culture of Jamaica where being
gay is still unacceptable.
I'll be the first to admit that I love reggae and
hip-hop. However, my love for
reggae and hip-hop does not mean that I turn a deaf ear to its homophobic and
misogynistic lyrics like so many of us often do with the disclaimer, "I like the
beat not the words."
That's a cop out, plain and simple.
We liked R. Kelly's beats so much that we turned a
blind eye towards the very blatant proof that he was engaging in at best
questionable activities with minor girls. We liked the beat, so we ignored the fact that every
other word out the rapper's mouth is N***** this and N***** that and bitch this
and bitch that. Hey after all, it's
free speech right? And we liked the groove so well that when Buju Banton
said, "It's like boom bye bye in the batty's bwoy head," we raised our hands in
agreement and sung along, "Rude bwoy no promote no nasty man. Dem haffi
dead." But let's be perfectly clear about what we are
condoning with our hips, lips, and chips.
If you like music that degrades women, then say
that. Don't hide behind the
beat. If you have no problems with
using derogatory slurs when referring to your fellow brothers then own it. And if you support murdering gay people,
then say it. We cannot continue to complain about our sexist,
racist, and homophobic community while engaging in the very activities that
promote it.
As Black America's most well known and talked about
Black lesbian activist and political commentator, Jasmyne Cannick is known for
addressing the issues others can't or simply won't. Chosen as one of
ESSENCE Magazine's 25 Women Shaping the World in 2005, at 28, Jasmyne is a
co-founder of the Nat'l Black Justice Coalition, the nation's Black gay civil
rights group and co-chair of Nat?l Stonewall Democrats Black Caucus. She
writes a daily blog at jasmynecannick.com and
myspace.com/jasmynecannick.
© This Week In Texas
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